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Murder, My Sweet, 1944

Murder, My Sweet  is a 1944 American film noir, directed by Edward Dmytry, notable as the screen debut of author Raymond Chandler’s hard-boiled, world-weary detective Philip Marlowe. 

It was based on Chandler’s 1940 novel Farewell, My Lovely. 

Starring Dick Powell, Claire Trevor and Anne Shirley. 

Philip Marlowe (Dick Powell) is hired by the oafish Moose Malloy (Mike Mazurki) to track down his formergirlfriend. He's also hired to accompany an effeminate
playboy buy back some jewels. When the exchange results in the playboy's murder, Marlowe can't leave the case alone and soon
discovers it's related to Malloy's. Ahe gets drawn deeper into a complex web of intrigue by a mysterious blonde (Claire Trevor), the detective finds his own life in increasing jeopardy. . 

The film is laden with classic film noir features—moody black-and-white cinematography, shadows galore, two-timing women, and plenty of plot twists—and it retains the first-person narrative, snappy dialogue, and droll asides characteristic of Chandler’s famed detective.
 #noirfilms #noirmovies #noirlovers #noir #noirstreetlife #noir_shots #noirfilm #filmnoir #neonoirfilm

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John Alton the maestro of the Film Noir atmosphere

John Alton was an American cinematographer. He made is feature film debut in 1927 with The Student Prince in Old Heidelberg. Alton won an Academy Award for cinematography of An American in Paris, becoming the first Hungarian-born person to win it. Alton is most famous for  films noir style of the classic period . "But when I'd take most any director aside and ask him to sit down with me, he'd look at me as if I were crazy. He'd say, 'I've never sat down with a cameraman to talk about these things. What do you mean? You just pump a lot of light in!' I'd say 'You don't 'pump' light into a scene. That light has to tell something. There's a meaning, and it establishes a mood.' That was the difference between my pictures and some of the others: [in mine], each mood was different. The mood had to be done with lighting. That's my profession — not the lighting and how to light, but bringing out the mood."  ...

Phantom lady , 1944

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